Full Album Reviews

The Life & Times of James “The Rooster” Corcoran (2020)

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FROM RAMBLERS NET - JEROME CLARK

“His solid grasp of Irish music translates into consistent delight on the listener's end….Though there is such a thing as just another album of Irish folk music, Life & Times will never be mistaken for it. “ READ MORE.

Brooklyn Vegan: Song Premiere “The Rooster”- ANDREW SACHER

“Vincent Cross preps concept album about Irish-American gang leader “There’s a clear influence of traditional Irish folk music on these songs, and Cross says that he learned a few new instruments to really get that style of music across.”  READ MORE.

Advertiser Feature: Vincent Cross: This is an important Irish-American immigrant story that hasn’t been told- KERNAN ANDREWS

“He was James ‘The Rooster’ Corcoran, and his turbulent, action-packed, controversial life, is the subject of a new album by the folk singer Vincent Cross, who himself is a descendant of Corcoran.” READ MORE.

Vincent Cross Pays Tribute to Folk Hero via “King Corcoran” Cross retells Corcoran’s story with a “modern dark fairy tale.” (POPMATTERS Premiere)- JEDD BEAUDOIN

“Cross, a descendent of Corcoran, delivers a subtle but powerful portrait with ‘King Corcoran.’ It’s a quiet meditation that speaks to folk’s narrative powers and Cross’s special powers as a songwriter.” READ MORE.

CROSSING PATHS WITH HISTORY: THE IRISH DAILY NEWS- CONOR McCAFFREY

 "It's a tale shot through with villainy, Irish devilment, desperate romance and the odd cop with his head bashed in, with a rich backdrop of concertina, bouzouki, minstrel banjo, and bodhran." - The Irish Daily Star. READ MORE.

TAKE EFFECT ALBUM REVIEW:The Life And Times Of James ‘The Rooster’ Corcoran

“Extremely detailed, highly exploratory, and often fascinating in its execution, you’re not likely to hear a folk record like this anytime soon, but you’ll certainly want to hear this one again.” READ MORE.

Old Songs for Modern Folk (2016)

From Ramblers NET- Jerome Clark

“I'd take Vincent Cross over any number of rootless, clueless, self-absorbed singer-songwriters who litter the landscape these days. “ READ MORE .

Fervor Coulee- Roots Music, Canada -Donald Teplyske

“Raw, honest, impassioned: railing against the system and injustices, documenting the trials, trails and travails of the voiceless, the downtrodden—the raising of voices in harmony, joy, and celebration, marking the events tying us to each other. There is nothing like folk music.” READ MORE.

fFROOTS Magazine, UK- Steve Hunt

“Like Bob Dylan and Woody Guthrie before him, Cross re-purposes the structures and themes of traditional songs to create highly resonant new ones.”— Steve Hunt: fRoots Magazine-UK

The third album by this "New York City-based rustic folk singer and songwriter" is a true solo record, with each song recorded straight-to-tape with no editing, overdubbing or enhancement. Expertly accompanying himself on guitar or banjo, with a few harmonica riffs, Vincent Cross chronicles modern life in the timeless American troubadour style. Like Bob Dylan and Woody Guthrie before him, Cross re-purposes the structures and themes of traditional songs to create highly resonant new ones. Freeport Town and Going Down That Road are re-writes of Darling Cory and er, Going Down That Road, while Michael Brown is adapted from Mississippi John Hurt’s Louis Collins, and Alone utilizes the familiar lyric “I’d rather be in some dark holler where the sun refuse to shine.” “Though hope it springs eternal, in life there’s tragedy” Cross sings on The Ballad of Roosevelt Avenue. That song, and Garments Of Shame are powerful narrative ballads of real-life events, while the artist acknowledges the folk singer’s function in Ode To An Old Guitar. Vincent Cross is a really fine singer and songwriter and this is a strong, steadfast album.

rootstimE- Dani Heyvaert

“It works perfectly, if only because the themes that Vincent broaches, seamlessly connect with the things that were sung by the forerunners. READ MORE.

From Keys & Chords (translation)- Philip Verhaege

“He also draws inspiration from traditional folk songs and from ancient and modern country blues sources. All songs roll at the same tempo, but you won’t be bored for a minute.” READ MORE.

A Town Called Normal (2013)

READ LINE ROOTS- Brian Carroll

“ It has hints of the old roots tunes of American, backporch pickin’, but perhaps a bit more contemporary in its presentation. Simply put, it just works. All backed by Cross’s songwriting and powerful and unique vocal, it makes for a great listen and strengthens my belief that roots music is still alive and well in the Northeast.” READ MORE

NEW YORK MUSIC DAILY

“ Cross has a way with aphoristic old-time vernacular.” READ MORE.

SOUND STAGE EXPERIENCE - RAD BENNETT

“He writes eclectic tunes with good hooks and surrounds himself with instrumentalists that are as good as he is. Cross is definitely worth a listen, and I'll be interested in seeing what he comes up with next.” READ MORE.

KEYS & CHORDS- LAMBERT SMITS

“With this album Vincent Cross digs deeper into the American music history.  Although bluegrass is still here, folk, down home country blues, country, old jazz and even indie rock make their debut. With 11 original songs Cross also proves his phenomenal songwriting.” READ MORE.

TOP 21: TOM SHELTON

“a town called normal” is the latest album by vincent cross as he journeys through jazz-influenced old-time ballads, downhome country blues, traditional bluegrass and indie-folk rock. he pulls back the curtain and reveals a lonely shell of a man. but if they made a drug that was this high, I’d never be sober. a stone cold winner.
— TOP 21- JOHN SHELTON IVANY (USA)

MOORS MAGAZINE: NETHERLANDS

(TRANSLATION) Vincent Cross is a songwriter from Ireland, who arrived in New York from Australia. He writes narrative songs he sings beautifully and wonderfully arranges, with traditional bluegrass instruments such as guitar, mandolin, bass and banjo. Still, the result does not sound like traditional bluegrass. This include the arrangements to be refined and varied to the songs of structure - Cross wants to exchange within a single song ever tempo or use more than two melodies. Sounds like he makes complex music, but that is certainly not the case, because the songs of Cross are accessible and enjoyable to listen to. All of which makes it even more fun is that he is what country, blues and jazz mixes with his arrangements.

The arrangements and the refined compositions, this album is what we call a growth plate. With every spin you’ll hear some more details, and the music is just another battle better and better. Just listen to the passionate My Love or the magnificent title track A Town Called Normal. It is on this album no weak song, though he may hesitate on the next album cover (this time Cuckoo) omit - I’d rather hear the songs of this phenomenal singer / songwriter.
— MOORS MAGAZINE (NETHERLANDS)

REAL ROOTS CAFE- HUUB THOMASSEN (NETHERLANDS)

(TRANSLATION) Born in Dublin, Ireland, grew up in Australia and now a resident of the city of New York. Vincent Cross is his name. Acoustic guitar, mandolin harmonica player and singer-songwriter acoustic country-folk songs. With two albums to his name is A Town Called Normal the first I’m hearing. The in-house recorded album was published in 2013. Some time was brought back by himself the album at Real Roots Café attention. Good idea, the album contains namely Americana in its purest form. Small, fragile, poetic songs, composed of a mix of ouderwetse- and modern country-folk / bluegrass. All twelve songs hit but - somewhere half the plate - came and I remained in the grip of the beautiful godforsaken Trouble Being There. It is a short love song with a beautiful, compelling melody to frame the painfully honest lyrics about regret and remorse, impressive austere but powerful completed by acoustic guitar, mandolin, upright bass, banjo, lightly brush drums and Cross’ magnificent, melancholy voice. Rare intrusive, a great expressiveness and quality of the superlative. Using such strong superlatives about one song, it would do the other eleven almost too short, which would not be in place. The point is that it’s just one song is better than the other. All due to Cross’ songwriter art, which revolves around the triangle: simplicity, imagination and melodic form.

On the album, which the Moon studios, Staten Island was recorded, musicians collaborated on bass, drums, banjo and mandolin. The end result: beautiful songs, beautiful coloring, mighty fine performance. (Independent)
— REAL ROOTS CAFE-HUUB THOMASSEN (NETHERLANDS)

Home Away From Home (2008)

Ireland-born, New York City-based singer/song- writer Vincent Cross turned heads with his 2008 debut “Home Away From Home,” a fantastic collection of blue- grass tunes, and he expands his musical palette into Americana and folk on “A Town Called Normal.

Though Cross is not a household name, he should be. He shows it on this tasty gathering of 12 tunes. Keepers include the title track, the timeless “Cursed,” “Trouble Being There,” “Childish Things,” “Walking on the Outside” and “Wrack & Ruin.”
Highly recommended.
— THE PITTSBURGH TRIBUNE- JEFFREY SISK (USA)
Vincent Cross has put together an eclectic mix of original songs on his album, “Home Away From Home,” a fitting title for this outstanding guitar and mandolin player. Cross, who hails from Ireland but makes his home in the New York City area, manages to sound like he is straight out of the Appalachian mountains.

The album gets off to a strong start with “Guess I’m Doin’ Fine,” an upbeat number
despite a typically-sad story of lost love. Throughout the album, Vincent Cross displays an innate skill with his vocal interpretation of a song. On the title cut, his voice is somewhat reminiscent of Chris Thile, while on “Grandma’s Home Brew” I think Cross sounds a bit like Bob Dylan. It seems Cross has the uncanny ability to sound like anyone he chooses, but, truly, Cross’ style is all his own.

This album is reflective of the true versatility of Cross’ musical prowess. Joining him on the album is Andy Cartoun, a well-respected banjo player in the New York area who does not disappoint in giving listeners the drive one looks for on a bluegrass album. Bruno Bruzzese is a virtuoso on the violin, coming from a background of a wide range of musical styles, most notably Middle Eastern music. His fiddle playing accurately portrays the emotion behind the song and his deftness on the instrument is prominent throughout this fine album. If you like the sound of the mountains, this album is for you.
— BLUEGRASS MIX- TERI ANN MCLEAN (USA)
Home Away From Home” is the recording debut for Vincent Cross (guitar, mandolin, and vocals) and his band Good Company. The dozen selections were penned by Vincent and carried off in a hard-driving bluegrass style. Some of the more interesting titles include “Sensitize, “ “Minus Love,” and “Out Of My Head.” For the first time out, “Home Away From Home” is a successful endeavor, and hopefully there will be other projects to follow.
— BLUEGRASS UNLIMITED (USA)
“Solid bluegrass debut….He is blessed with a versatile voice which can ably evoke that high lonesome sound, whilst deepening its nuance for the more mellow numbers in which respect he is quite reminiscent of Tim O’Brien.”
— AMERICANA-UK- KAI ROBERTS